

The point is that Green has to piece this together, and present it as a theory, because Augustus and his people gave it out that the official reason Ovid was banished was for corrupting morals, that Ovid had deliberately undermined Augustus’s programme of moral revival, and they cited this poem, The Art of Love, as the prime example of his corrupting influence. Augustus, and his successor Tiberius, refused to rescind Ovid’s exile and he died miserably in Tomis in 17 or 18 AD.

He simply insists that he, personally, was never treacherous, never acted against the emperor or planned to poison or kill or hurt anyone.

In his wretched Letters From Exile Ovid hints at the nature of his crime, but to the immense frustration of scholars for 2,000 years, nowhere spells it out explicitly. To cut a long story short, Green thinks it’s because Ovid was witness to some kind of meeting or evidence about a conspiracy to overthrow Augustus in 8 AD and didn’t report it. Over half of Peter Green’s immense introduction to the Penguin edition of Ovid’s love poems is taken up speculating about why the emperor Augustus abruptly exiled Ovid to the furthest outpost of the Roman Empire, to the miserable frontier town of Tomis, on the Black Sea. He, Ovid, the teacher of love, pickup artist extraordinaire, seduction guru par excellence, is going to share his top tips with the excited young reader. But all these things have a technique, an expertise, traditions and methods to guarantee success. Any fool can try to chat up a woman just as any fool can try his hand at sports, angling or taming horses. His premise is that any woman can be seduced but only if you have technique, and that’s what he’s going to teach. He is interested in the chase, the pursuit. ‘Love’ suggests a steady state, an ongoing condition. This is a hard-headed book by a professional pickup artist and consists of practical advice to young men on where and how to pick up, chat up, seduce and take to bed women married or single, young or old. (The Art of Love, book 1, line 17) Ovid the pickup artistĪnyone expecting a treatise on the philosophical types of love à la Plato or Castiglione, or expecting a text about sentimental or romantic forms of love, will be very disappointed and possibly repelled.
